Revisit the fond memory that you wrote down at the beginning of this lesson. Now, in approximately 400-600 words, I want you to expand on that memory based on all of the things we’ve been discussing. Again, do not worry about beginning, middle, and end. Instead, focus on what details you remember. What the was weather like? What about the way someone said “hello”? Was there any particular color that you recall, even the color gray? Were there any loud sounds, soft sounds, distinctive smells? Did a shadow pass across the room? (For now, don’t censor yourself; include even insignificant details. You can always weed those out later.) And perhaps equally important: what don’t you remember? Unlike filmmakers, writer’s have an easier time in acknowledging holes in the story. Perhaps you remember that a framed painting that hung on the wall of the hospital room—but you don’t remember what the painting actually was. Set a scene for the reader around the memory, using the bits as elements to build the character of who you are in the scene.
The yellow on the city has always make me close my eyes. All life with just a tiny bit of eyes opened due sun light. The heat of the asphalt is especially harsh when wearing leather sandals. The yellow shirt, blue shorts and brown sandals can not be reflected as a shadow. The shadow reflects my small size and to my right giving hand a tall and skinny form was next to me. The shadow does not reflect the dress, but the strong grip was easily seen on the shadow. Some people call it “grab my hand”. I always seen it as a trap made by the grownups.
The summer on hot zones always smell the same. Those how say heat do not have a smell, have never lived in Monterrey. I would say that it burns a little on the nose but is something just for the cities because the sand or the beach do not have that sensation.
The shadow of her reflects her long hair, but not the red of it. The yellow surrounding the shadows besides the grey of the floor is something I will never understand, but neither I want to.
Crying and gripping her hand while crossing the road is not a recommended action, but the emotions where triggered. I cannot remember the words, but I think I can recall the message
“Do you want to come next day?”
“No” while crying and screaming. Sobbing and walking. Being sculled because vehicles where nearby and the movement of the avenue won’t be stopped by nobody. Sweat and tears have never been good friends, specially when they mix over a face.